Soyang Park
Faculty of Arts & Science
Dr Soyang Park is an Associate Professor of Arts and Science and Graduate Studies at the Ontario College of Art & Design University (OCAD U) in Toronto, Canada. Park’s research areas include contemporary art and visual culture, critical theories, East Asian cultures and arts, modern and contemporary society and arts, art of memory and trauma, art and politics, gender, sexuality, decolonization, cosmopolitanism, community, politics of affect, and embodiment.
Park’s early research focused on the study of a South Korean avant-garde art movement known as Minjung art from the 1980s and its mode of radical reframing of memory (both socio-political and cultural) for an affective social change. Park’s more recent research has focused on exploring the dynamic transformations of South Korean society, media, and culture after the 1990s democratization in relation to the issues of gender, memory, community, mediascape, and social mobilization, as well as the likes in relation to the other East Asian and Asia-Global communities.
Park completed a Bachelor of Arts degree in the science of art from Hongik University (Seoul) in 1995, a Master’s degree in the history of art (20th century) in 1999, and a Ph.D. degree in 2004 at Goldsmiths College (University of London, UK). Park was a junior research fellow at the University of Oxford (UK) from 2005 to 2006 and a joint postdoctoral fellow at the Center for Art for Society and Humanities Studies at Carnegie Mellon University (U.S.) from 2006 to 2007.
Ways of Seeing: Minjung art, Lim Oksang and the Elemental Motifs
Hangung Ttangeseo Yesulhagi : Lm Oksang Boneun Beop
Hangilsa
Published: December 31st 2022
Soyang Park & Yilong Liu, "Confronting Ambiguity: Reading the Intersection of Racial and Sexual Marginalization in Rex vs Singh and Seeking Single White Male," Journal of Ethnic and Cultural Studies, 2018, Vol. 6, No. 1, June 2019: 1-13
Published: December 26th 2019
Kim Chi-Ha, Soyang Park, trans. “The First Manifesto of the Reality Coterie” (first published in 1969), in Ahn So-Hyun et al, eds. Access to Contemporary Korean Art 1980–2010 (Seoul: Forum A, 2018), 21-26.
Published: December 26th 2018
Kim Yun-Su, Soyang Park, trans. “New Figurative Art That Is Getting Close to the Truth of Life –Notes on the Selection of 11 Young Figurative Artists (1981),” in Ahn So-Hyun et al, eds. Access to Contemporary Korean Art 1980–2010 (Seoul: Forum A, 2018), 29-33.
Published: December 26th 2018
Park Chan-Kyung, Soyang Park, trans. “Notes on the ‘Conceptual Realism’ – An Editor’s Annotation,” in Ahn So-Hyun et al, eds. Access to Contemporary Korean Art 1980–2010 (Seoul: Forum A, 2018), 44-52
Published: December 26th 2018
“Modernity, Plastic Spectacle, and an Imperfect Utopia: A Critical Reflection on Plastic Paradise (1997) by Choi Jeonghwa,” in Crosscurrents: East Asian History and Culture Review, 27 (June 2018):51-78. e-Journal (http://cross-currents.berkeley.edu/e-journal/issue-27
Published: December 26th 2018
“Modernity, Plastic Spectacle, and an Imperfect Utopia: A Critical Reflection on Plastic Paradise (1997) by Choi Jeonghwa,” in Crosscurrents: East Asian History and Culture Review, The University of Hawaii Press, Vol 7, Number 2, Nov 2018: 294-325
Published: December 26th 2018
“Speaking with the Colonial Ghosts and Pungsu Rumour in Contemporary South Korea (1990–2006): The Pungsu (FengShui) Invasion Story Surrounding the Demolition of the Former Japanese Colonial-General Building and Iron Spikes”, The Journal for Cultural Research (Routledge), pre-published electronically, on Nov 29. 2011
Published: December 26th 2011
“Inoperative Community in Post-Authoritarian South Korea: Football Fandom, Political Mobilization and Civil Society”, Journal for Cultural Research (Routledge)(vol 14. Issue 2, April 2010):197-220
Published: December 26th 2010
“Cosmopolitanism and Universalism”, Dictionary articles, Dictionary articles in The Palgrave Dictionary of Transnational History, Edited by Akira Iriye and Pierre Yves Saunier, Palgrave Macmillan, 2009: 219-223
Published: December 26th 2009
“Decolonization”, Dictionary articles in The Palgrave Dictionary of Transnational History, Edited by Akira Iriye and Pierre Yves Saunier, Palgrave Macmillan, 2009: 248-252
Published: December 26th 2009
“Internationalisms”, Dictionary articles, in The Palgrave Dictionary of Transnational History, Edited by Akira Iriye and Pierre Yves Saunier, Palgrave Macmillan, 2009:, 586-590
Published: December 26th 2009
“Remembering and Forgetting: the politics and art of minjung movement in Modern Korea,” Journal of History of Modern Art (no.18, Dec 2005):43-72, Seoul; Noonbitch Publishing (by Korean Association for History of Modern Art (KAHOMA)
Published: December 26th 2005
“Silence, Subaltern Speech, and The Intellectual in South Korea: The politics of emergent speech in the case of former sexual slaves”, Cultural Values: Journal for Cultural Research (vol 9. Issue. 2 Apr 2005): 169-206
Published: December 26th 2005
“The Return of the Real: On ‘Corporeal Resalism’ in the Works of Oh Yoon and Lim Oksang”, Yun Beom Mo ed. Beyond the Political: Hyeonsil gwa Baleun (Reality and Utterance) 30 Years Now, Seoul: Hynsil Munhwa, Dec 2011:91-109 (15pages) (in Korean), Updated and significantly revised a published article, “Remembering and Forgetting: the politics and art of minjung movement in Modern Korea”, Journal of History of Modern Art (no.18, Dec 2005): 43-72
Published: December 26th 2005
“Xen: Migration, labour and Identity’: Yongsoon Min with Allan DeSouza”, Third Text (vol 19. Issue 4, July 2005): 427-431
Published: December 26th 2005
“Beauty and Horror in Contemporary Art: Apocalypse Exhibition in Royal Academy of Art”, Art World (Monthly), no.194, Jan 2001: 34-37 (in Kor)
Published: December 26th 2001
“William Blake Revived in Tate Britain”, Art World (Monthly), no.196, Mar 2001: 36-39 (in Kor)
Published: December 26th 2001
“A Letter to Fukuoka Citizens: a Speculation on the Memory and History of East Asian Women: London Box Museum Project – Fukuoka Asian Art Festival”, Art World (Monthly), no.185, Apr 2000: 138-143 (in Kor)
Published: December 26th 2000
“I-Deal: Hejin Kum’s body Art”, Art World (Monthly), no.186, May 2000: 116-119 (in Kor)
Published: December 26th 2000
“Issac Julien’s Solo Exhibition: Post Colonial and Homoerotic Desire in Vagabondia & Cinerama in South London Gallery”, Art World (Monthly), no.192, Nov 2000: 48-51(in Kor)
Published: December 26th 2000
“’99 Turner Prize and Tracy Emin Phenomenon”, Art World (Monthly), no.182, Jan 2000: 160-165 (in Kor)
Published: December 26th 2000
“Art of Truth and Reconciliation: On South African Artist, William Kentridge Exhibition in Serpentine Gallery”, Art World (Monthly), no.176, Jul 1999: 124-125 (in Kor)
Published: December 26th 1999
“Artists in 99 Turner Prize in Tate Britain”, Art World (Monthly), no.181, Dec 1999: 112-115 (in Kor)
Published: December 26th 1999
“Beauty and Horror: Andreas Gursky’s Photographs in Serpentine Gallery “, Art World (Monthly), no.173, Apr 1999: 114-117 (in Kor)
Published: December 26th 1999
“Fact? Fiction?, Or the Game Toward A Truth?: Sophie Calle Exhibition in Camden Art Centre”, Art World (Monthly)), no.174, May 1999: 126-129 ( in Kor)
Published: December 26th 1999
“An Art History Written Through Experiments and Challenge: ’96 Lyon Biennale”, Art World (Monthly), no. 136, Mar 1996: 102-105 (in Kor)
Published: December 26th 1996
“’The 90s and Cultural Politics”, Hongik Weekly Paper, Hongik University Press, 11 Aug 1995 (in Kor)
Published: December 26th 1995
“On the Way Towards a Community – ’95 Street Art Festival”, Hongik Weekly Paper, Hongik University Press, 15 Aug 1994 (in Kor)
Published: December 26th 1994
“A War for The Space in The Street Art Festival”, Hongik Weekly Paper, Hongik University Press, 3 May 1993 (in Kor)
Published: December 26th 1993
“Activating Local Culture”, Hongik Weekly Paper, Hongik University Press, 27 Mar 1993
Published: December 26th 1993
“In Order To Revive People’s Art In The 1990s”, Hongik Weekly Paper, Hongik University Press, 20 Feb1993
Published: December 26th 1993
“The ’93 Street Art Festival “, Hongik Weekly Paper, Hongik University Press, 5 Jan 1993 (in Kor)
Published: December 26th 1993
Ph.D. in History & Visual Cultural Studies
Type: Historical and Cultural Studies
Goldsmiths University of London
M.A. in History of Art (Twentieth Century)
Type: Historical and Cultural Studies
Goldsmiths University of London
B.A. in Science of Art
Type: Science of Art faculty of Fine Art Department
Hongik University
Founder and host of Asia-Global-Cultural-Studies-Forum (AGCSF) since 2019
Founder of Critiques/Fora since 2018
Committee member (2000-2005) and Representative of Pacific Asia Cultural Studies Forum(PACSF)(Goldsmiths University of London) (2001-2002)
Programmer
Programmer of “Misulhakgyo” (literally, “Art School"; innovative Lectures program about new art history and visual culture studies launched by Hongik University School of Fine Arts, Student Union, as Chair of Literature and Creation Section, Hongik University, Seoul, 1994-5
Associate Professor
Type: FACULTY OF ARTS AND SCIENCES, GRADUATE STUDIES
OCAD University
Postdoctoral fellow (Joint)
Type: Center for Arts in Society and Humanities Center
Carnegie Mellon University
lecturer
Type: College of Fine Arts
Carnegie Mellon University
Junior Research Fellow
Type: Wolfson College (University of Oxford)
University of Oxford
Associate member of Teaching Faculty
Type: Oriental Institute
University of Oxford
Lecturer
Type: Faculty of Fine Arts, Graduate Studies
Hongik University
Visiting Tutor for MA in 20th Century Art Theory program
Type: Historical and Cultural Studies
Goldsmiths University of London
Art Journalist (London Correspondent)
Monthly Art Journal, Art World (Misulsegye)
Assistant Curator
Munhaw Ilbo Gallery (Public), Seoul, Dec 1995 – Jan 1997
Speaking with the Colonial Ghosts and Pungsu Rumour in Contemporary South Korea (1990–2006): The Pungsu (FengShui) Invasion Story Surrounding the Demolition of the Former Japanese Colonial-General Building and Iron Spikes”, published The Journal for Cultural Research (Routledge), pre-published electronically, on Nov 29. 2011
Type: Grant
Critical Narratives on Minjung art: 1980s-90s
Type: Award
PhD Bursaries in Department of Historical and Cultural Studies
Type: Award
The Department of Historical and Cultural Studies, Goldsmiths College, University of London, UK, 2000 – 2002 (awarded 3000 British Pounds every year for three years & provided teaching assignment)
Masters in Contemporary Art Theory - Goldsmiths University of London
Type: Grant
UK, 1998 – 1999 (awarded 3000 British Pounds)
Professional Opportunity Funds (for Book Promotion)
Type: Award
Chair of Literature and Creation Section (Student Union), Hongik University, Seoul, 1994-5
Chief Curator of Street Art Festival, Mapo-gu Council and Hongik University, Seoul, 1993-5