Nithikul Nimkulrat
Faculty of Design
Dr. Nithikul Nimkulrat intertwines research with textile practice, focusing on experiential knowledge in craft processes in the context of design research. Nithikul is Full Professor in the Faculty of Design at OCAD University in Canada and was the Acting Chair of the Material Art & Design program (2020–2023). She is the recipient of the 2022/2023 OCAD University Award for Distinguished Research, Scholarship and Creative Activity.
Her PhD research completed in 2009 at Aalto University in Finland examines the expressivity of textile material that is beyond visible, touchable qualities. Nithikul has worked at Aalto University as PhD Researcher and subsequently Postdoc Researcher (2004–2010), Loughborough University as Lecturer in Textiles (2011–2013), Estonian Academy of Arts as Professor and Head of Department of Textile Design and Design Research Group (2013–2018). She was an elected council member of the Design Research Society (DRS) (2013–2019) and is the convener of DRS Special Interest Group on Experiential Knowledge (EKSIG) (2013–present).
Nithikul is an experienced PhD supervisor and external examiner and has extensively published her research in peer-reviewed publications and exhibited her textiles internationally. Her recent book is Craft and Design Practice from an Embodied Perspective published by Routledge in July 2024.
Craft and Design Practice from an Embodied Perspective
Routledge
Published: December 31st 2024
Crafting Novel Knotted Textiles with Mathematics
The Textile Museum Journal
Published: December 31st 2022
Squeaky/Pain: Articulating the Felt Experience of Pain for Somaesthetic Interactions
Temes de Disseny
Published: December 31st 2022
Embodiment and Experiential Knowledge
Proceedings of DRS
Published: December 31st 2022
“Squeaky/Pain”: Cultivating Disturbing Experiences and Perspective Transition for Somaesthetic Interactions
Diseña
Published: December 31st 2022
Mathematical Design for Knotted Textiles
Handbook of the Mathematics of the Arts and Sciences
Published: December 21st 2021
Decoloniality of knowing and being: Artistic research through collaborative craft practice
Arts-Based Methods for Decolonising Participatory Research
Published: November 21st 2021
Editorial track 6.a Materiality in the Digital Age
FormAkademisk - forskningstidsskrift for design og designdidaktikk
Published: November 21st 2021
Experiential craft: knowing through analog and digital materials experience
Materials Experience 2
Published: November 21st 2021
Editorial
EKSIG 2013: Knowing Inside Out - Experiential Knowledge, Expertise and Connoisseurship - International Conference 2013 of the Design Research Society Special Interest Group on Experiential Knowledge, Conference Proceedings
Published: November 21st 2020
Knowing together–experiential knowledge and collaboration
CoDesign
Published: November 21st 2020
Translational craft: Handmade and gestural knowledge in analogue–digital material practice
Craft Research
Published: November 21st 2020
Alive. Active. Adaptive: Experiential knowledge and emerging materials
International Journal of Design
Published: November 21st 2019
Collaborative craft through digital fabrication and virtual reality
Figshare
Published: November 21st 2019
This paper examines the collaborative practice between an analogue and a digital craft practitioner. It aims to illuminate ways in which digital tools can be used to translate handcrafted objects in collaborative craft practice and to address the following questions: 1) What forms of knowing and meaning making evolve in collaborative research through design practice? 2) What does it mean to explore material in Computer Aided Design (CAD) through Virtual Reality (VR)? Originating with a hand-knotted artifact, the study begins with the transformation of an analogue form into digital format using a range of techniques. These activities act as both a review of digital fabrication capabilities and an exploration of new thinking mechanisms offered by this emerging hybrid practice. The study broadens our understanding of the maker’s role within the capabilities and limitations of digital tools. Each iteration of digitally-fabricated objects was documented and reflected upon. This collaborative practice acts as a catalyst for established disciplines within art and design to collide and interact. Outcomes include mapping workflows within digital and analogue material practice, and reflection on how the materials and methods used in digital fabrication have the potential to expand the meanings connected to the things that are produced.
Track 6.a Introduction: Materiality in the Digital Age
Conference Proceedings of the Academy for Design Innovation Management
Published: November 21st 2019
Mathematical Design for Knotted Textiles
Handbook of the Mathematics of the Arts and Sciences
Published: December 21st 2018
Knot Designs Based on Rhombille Tiling Notations
Bridges 2018: Mathematics, Music, Art, Architecture, Education, Culture
Published: December 21st 2018
Editorial: Experiential Knowledge in Collaborative Interdisciplinary Design Research
DRS2018: Catalyst
Published: December 31st 2018
‘Conversing WITH Materials’ -How do we converse with materials and other beings to co-design equitably?
DRS2018: Catalyst
Published: December 31st 2018
Documentation as a practice-led research tool for reflection on experiential knowledge
FormAkademisk
Published: November 21st 2018
Storytelling Through Interactive Screens
Estonian Art
Published: December 31st 2017
Art and technology in the twenty-first century are no longer segregated, as they were in the past. The increase in artistic activities using computers, the Internet and other areas of technological interest shows the impossibility of understanding the future of the arts without attending to technology. Such activities are apparent in Estonia, as can be seen in creative works by a number of artists and designers who attempt to bridge the physical and virtual worlds. These worlds are where humans have always lived, for example through two of the oldest art forms: storytelling and myth. Storytelling helps us understand our environment and personal experience... The craftsmanship of storytelling is an aspect present in all of the creative projects discussed in this article. The three projects are: Kärt Ojavee’s and Johanna Ulfsak’s Live Streams (2016), Varvara Guljajeva’s and Mar Canet’s Chameleon (2016), and Kristi Kuusk’s Textales (2015). These projects deal with the creation of interactive screens and tell particular stories about our environment, national identity, and imaginative world, using storytelling as a strategy for connecting physical material and technology with the meaning of the creation. A position shared among these projects’ designers is their aim of making the spectator and/or user understand the surrounding environment and generating personal experience with their work. An artifact that tells a particular story seems to possess a power to captivate and maintain the attention of its viewer and/or user for a long time. The term “interactive screens” in this article refers not only to digital screens such as computers, tablets and mobiles, but also physical screens that are specifically designed and created for particular purposes. The traces of the designers who are the storytellers of the three projects are present in both the physical and the virtual screens.
Tiling Notation as Design Tool for Textile Knotting
Proceedings of Bridges 2017: Mathematics, Music, Art, Architecture, Culture
Published: December 31st 2017
A textile practitioner and two mathematicians with an interest in textile knotting carried out collaborative work to analyze textile knot practice and create novel knot pattern designs using mathematical tiling methods, in particular the Wang tiles. This paper shows how tiling notation was used to design knot diagrams and visualize novel patterns and structures.
Ways of being strands: Cross-disciplinary collaboration using craft and mathematics
Design Issues
Published: November 21st 2017
Novel Textile Knot Designs through Mathematical Knot Diagrams
Proceedings of Bridges 2016: Mathematics, Music, Art, Architecture, Culture: Bridges 2016: Mathematics, Music, Art, Architecture, Culture
Published: December 31st 2016
Introduction: Experiential Knowledge
DRS2016: Future-Focused Thinking
Published: December 31st 2016
Crafting Textiles in the Digital Age
Bloomsbury
Published: November 21st 2016
Crafting Textiles in the Digital Age
Published: November 21st 2016
Introduction
Crafting Textiles in the Digital Age
Published: November 21st 2016
Paperness: Expressive Material in Textile Art from an Artist's Viewpoint, Nithikul Nimkulrat
TEXTILE
Published: December 21st 2015
On understanding expertise, connoisseurship, and experiential knowledge in professional practice
Journal of Research Practice
Published: November 21st 2015
RTD2015 14 Ways of Being Strands: Exploration of Textile Craft Knots by Hand and Mathematics
Published: November 21st 2015
Research through design as a discursive dissemination platform
Constructivist Foundations
Published: November 21st 2015
ornaMENTAALNE
Journal of Textile Design Research and Practice
Published: December 31st 2014
From Mathematical Diagrams to Knotted Textiles
Proceedings of Bridges Seoul 2014: Mathematics, Music, Art, Architecture, Culture
Published: December 21st 2014
Drawing as a Research Tool
Studies in Material Thinking
Published: November 21st 2014
Fabrication of fabric based Frequency Selective Surfaces (FSS)
8th European Conference on Antennas and Propagation, EuCAP 2014
Published: November 21st 2014
From Mathematical Diagrams to Knotted Textiles
Proceedings of Bridges Seoul 2014: Mathematics, Music, Art, Architecture, Culture
Published: November 21st 2014
Review of the 5th International Congress of International Association of Societies of Design Research (IASDR 2013)
Craft Research
Published: November 21st 2014
Role of research and professional practice in teaching art and design
Global Journal of Arts Education
Published: November 21st 2014
Situating Creative Artifacts in Art and Design Research
FORMakademisk
Published: December 31st 2013
Fabric based frequency selective surfaces using weaving and screen printing
Electronics Letters
Published: November 21st 2013
Mathematical textiles: the use of knot theory to inform the design of knotted textiles
Published: November 21st 2013
Hands-on intellect: Integrating craft practice into design research
International Journal of Design
Published: November 21st 2012
Voice of material in transforming meaning of artefacts
Published: November 21st 2012
On reflecting and making in artistic research
Journal of Research Practice
Published: November 21st 2011
Problems of practice-based doctorates in art and design: A viewpoint from Finland
Published: November 21st 2011
Reflection and documentation in practice-led design research
Nordes
Published: November 21st 2011
Material inspiration: From practice-led research to craft art education
Craft Research
Published: December 21st 2010
Creation of Artifacts as a Vehicle for Design Research
Nordes 2009: Engaging Artifacts
Published: December 21st 2009
Craft designer as researcher: theorising design from practical perspectives
Published: November 21st 2009
Creation of artifacts as a vehicle for design research
Nordes
Published: November 21st 2009
Material Inspiration: The Practice-led Research of a Craft Artist
C & C 09: Proceedings of the 2009 Acm Sigchi Conference on Creativity and Cognition
Published: November 21st 2009
Material inspiration
the practice-led research of a craft artist
Proceeding of the seventh ACM conference on Creativity and cognition - C&C '09
Published: November 21st 2009
Materialness: expressive qualities of a physical material in textile design creativity
Published: November 21st 2009
Paperness: expressive material in textile art from an artist's viewpoint
Published: November 21st 2009
Reflections and Connections: On the Relationship between Creative Production and Academic Research
Published: November 21st 2009
Meaningful objects: complementary research documentation of experiential qualities in art and design
Published: November 21st 2007
Seeing the Seeing Paper: Looking at personal artistic experience through artefacts
Published: November 21st 2007
The role of documentation in practice-led research
Journal of Research Practice
Published: November 21st 2007
Doctor of Arts
Type: Department of Design
Aalto University School of Arts, Design and Architecture
Master of Arts
Type: Department of Fashion and Textiles
Aalto University School of Arts, Design and Architecture
Bachelor of Industrial Design
Type: Department of Industrial Design
Chulalongkorn University
Fellowship (FHEA)
The Higher Education Academy / Advance HE
Cult 2 Expert Panel Member
Fonds Wetenschappelijk Onderzoek
Professor
Type: Faculty of Design
OCAD University
Associate Professor
Type: Faculty of Design
OCAD University
Acting Chair, Material Art & Design program
Type: Faculty of Design
OCAD University
Professor / Head
Type: Department of Textile Design
Estonian Acedemy of Arts
Lecturer in Textiles
Type: School of the Arts
Loughborough University
Postdoctoral Researcher
Type: Department of Design
Aalto University School of Arts, Design and Architecture
Doctoral Researcher
Type: Department of Design
Aalto University School of Arts, Design and Architecture
Cross-Disciplinary Collaboration as a Research Approach – Intersection of Textiles and Technology/Science
Type: Grant
Methods for Producing Electromagnetic Arrays in Fabrics
Type: Grant
The project investigates a range of textile production techniques applicable to the creation of fabric screens for controlling ingress of electromagnetic waves within portions of buildings. The main work packages are: (1) the exploration of ways of producing fabrics with conducting elements that are aesthetically pleasing and of good enough quality to be used in wireless systems and (2) the evaluation of the demonstrators produced. The experiential design approach was utilised in the design process to put people using the outcomes at the heart of the experience. Textile techniques such as embroidery and weaving were used to create a variety of structures that allow the integration of conductive materials. This project bridges the gap between the high technology of wireless communications and the ‘traditional’ technology of textile making. Also, being introduced in a form of textiles – a common commodity in people’s everyday life, the high-tech product can reach people in society more easily.
Elected Council Member (2013–2019), General Member (2020–present)
Design Research Society
Affiliate Professor
Estonian Academy of Arts
DAAD Visiting Professor
Type: Textiles
Kunsthochschule Berlin-Weißensee
Designer in Residence
Type: Material Matters Research Centre
Emily Carr University of Art and Design
Distinguished Research, Scholarship and Creative Activity, 2022/2023
Ontario College of Art and Design
Medal in recognition of contribution as an expert panel member
Research Foundation - Flanders