Geoffrey Shea
Faculty of Art
Geoffrey Shea is a Canadian media artist whose work highlights the intersections and opportunities between technological systems, community and identity. His productions incorporate interactive programming, site-specific installation, mobile phones, a philosophical twist and a critical voice.
Working primarily in video and installation, Shea has demonstrated the effects of scale on depictions of subjectivity, from tiny poetic artworks to large public projections. His work has examined how democratic politics, organized religion and art itself create tensions between individual isolation and community responsibility.
According to writer Michael Tweed, in Shea’s work “the authority of the word, even the comforting sovereignty of the image, is revealed to be what it is: the elegant cloak of our still timid unknowing. Shea does not impose or catalogue the seemingly countless variations of melancholy and despair to which we are prone. What he does provide however is a sort of topography of courage, sketching the geography that stretches between optimism and resignation, hope and despair.”
His artwork has been exhibited widely and was featured at three recent Nuits Blanches in Toronto and the exhibition “Talk to Me” at the Museum of Modern Art in New York.
Shea was a founder, in the 1980s, of InterAccess Electronic Media Art Centre in Toronto and an editor of the video journal, Diderot. Later he was the co-director of the international artist-in-residence program at United Media Arts Studies. He has curated numerous exhibitions and film/video programs, and is currently the Artistic Co-Director of the Common Pulse Art Festival.
Shea is an Associate Professor at OCAD University, where he teaches part-time. He is the Co-Director of the Mobile Experience Lab, and is leading research into the intersections between artistic expression and physical disability, and the potential role of emerging technology.
Master of Fine Arts (MFA)
York University
Type: Faculty of Art
OCAD University
Lying Fallow Remix
Type: Grant
Blake Gopnik, NY art critic: ‘LYING FALLOW REMIX’ TURNS PANDEMIC LIFE INTO POLYPHONY THE DAILY PIC is “Lying Fallow Remix,” an online video by Canadian artists Tony Massett and Geoffrey Shea. To make it, the pair took snippets of pandemic-era conversation between two women and put them into the mouths of another half-dozen Zoom-ers. The result immediately made me think of a Bach fugue — the way Bach takes an everyday text (a Lutheran hymn, say, that his audience would have known by heart) and makes it come alive, with different numbers of voices weaving together at different times, sometimes obscuring the content and sometimes underlining it. The video feels like poetry taken off the page and turned into something that’s almost spinning in space and time — kind of 3D or, I guess, just cinematic, given new and different life through editing. ”Lying Fallow” helped me realize that editing itself is an amazing artistic medium — even though it’s usually used to produce various realist effects rather than for more formal, Bach-ian play.
Parade: The Journey
Type: Grant
“In Parade: The Journey, the third instalment in a series of parade-themed video performances, the procession veers off main street and takes us out of a solely public experience. We peek into the private lives of people in the community; people the artists have developed relationships with and who have become a part of their own personal narratives. Each screen shows characters traveling through neighbourhoods and even through living rooms. They march along, playing their musical instruments while experiencing some of life’s narratives en route, before finally arriving at the arena. These individual journeys are projected onto a three-screen video installation which incorporates elements of the live performance. The projection is looped every 40 minutes. The foregrounding of the hyperlocal context involves a changing set of community members and geographical locations well-known to locals. Outsiders may experience the multimedia abstract performances as spectacles in and of themselves, but it’s the people living here in Durham and surroundings that can nod knowingly at Interference Ensemble’s familiar yet odd vignettes of life in this rural town.” (Debbie Ebanks, Fabulous Festival of Fringe Film)
Common Pulse Conference
Type: Grant
Founder
Interference Ensemble
Board Memeber
Tangled Art and Disability
President
Durham Art Gallery
Board Member
YYZ Artists Outlet
Founding Board Member
InterAccess