Lady Elizabeth (Pixie) Mudge Massey Shaw, a cherished alum of the Ontario College of Art (OCA, now OCAD University), has made a lasting impact both as an artist and an educator. While studying at OCA, Shaw apprenticed to British sculptor Lynn Chadwick. Later, she was the artist-in-residence at the Helen Frankenthaler Printmaking Studio in the USA and worked with master printmaker Anthony Kirk. These early experiences shaped her artistic vision and provided the foundation for her successful career.

For 12 years, Shaw was a beloved member of the Faculty of Fine Arts at OCA, where her passion and dedication inspired many students. In addition to her fulfilling career as an educator, Shaw always found time to nurture her original passions and skills, often finding beauty and inspiration in the world around her.

Her latest exhibition at The Lobby in Toronto was a heartfelt farewell to her earlier works, showcasing pieces as she left them before embarking on a new artistic journey. This exhibition was not just a look back, but a celebration of her evolution as an artist. Shaw is now exploring newfound art, crafting pieces that reflect her appreciation for the magnificence in everyday objects and the excitement of what the future holds. 
 

Strengthening the Artistic Community at OCAD U

Shaw’s bond with OCAD U remains strong as is reflected in her desire to give back to the institution that nurtured her talent as a young artist. Recently, she donated generously to support the all-new From Our Point of View: Encounters with Artists project. “I’m passionate about OCAD University, and I believe in the incredible talent of its students,” she shares warmly. “I hope this project will help bring their voices into the spotlight for others to hear as well.” 

The project is an exciting initiative designed to connect students with established artists. This year-long initiative, running until Spring 2025, offers up to 16 senior-level undergraduate and graduate students the opportunity to engage deeply with the arts community in Canada. Participants will work under the mentorship of Max Dean, a Governor General’s Award-winning artist, to host four senior artists throughout the year. 

Shaw speaks highly of Dean’s involvement, noting, “I couldn’t find someone more knowledgeable and compassionate to help with this project. Max is truly incredible and quite remarkable.” 

The project involves researching the guest artists and their work, culminating in public events where students present and interview the artists. This format rethinks the traditional artist talk, centring on student inquiry and fostering meaningful connections across generations.

“Pixie’s generous donation highlights her enduring commitment to OCAD U and its students,” says Stephen Foster, Dean of the Faculty of Art. “We are incredibly grateful for her support. It fosters the innovative and collaborative spirit we strive for, enriching our students’ educational journey by deepening their engagement with the professional art world.”

The first student-led interview and conversation will take place on Wednesday, November 13, with guest artist Micah Lexier, a Winnipeg-born, Toronto-based artist. Micah is known for his work in numerous museum collections and prominent public artworks across Toronto and is a recipient of the Governor General’s Award in Visual Arts. 

“This project creates opportunities for our current students to make connections with established senior artists and build community between them and their peers,” says Derek Sullivan, Chair, Integrated Media/Sculpture and Installation and Life Studies, who is assisting with the project. “In delving into the careers of these guest artists, the student participants are able to develop their research skills and have the chance to ask questions that matter most to them.”  

Shaw’s gracious contribution ensures that students have the resources and support needed to thrive in an enriching environment. Her contribution enhances the educational experience by providing a platform for innovative learning, teaching and research. Shaw’s support will undoubtedly make a significant and lasting impact at OCAD U, fostering collaborative approaches and creating valuable experiences between students and visiting artists. 

A photograph of a person facing a machine in a gallery room.

Max Dean, As Yet Untitled, 1992-95.

 

A film still of a hand holding a piece of cardboard with numbers.

Micah Lexier, This one, That one, 2017, Film still (running time 8:38).